Original Momo and Yeti artwork showing a rainy funeral, San Mágos and the café at the heart of the story

A music-driven animated series in six seasons

In a city built on forgetting, remembering who you are is an act of magic.

Welcome to San Mágos, a luminous Gothic-neon city where monsters and humans live side by side under a polite surveillance state.

When the city begins forgetting itself, a found family of monsters discovers that the weapons that work are memory, music and the refusal to shrink.

With songs.

Enter San Mágos Hear the world

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The law of the world

Every power is a self fully accepted.

In San Mágos, magic is what a monster can do when they stop hiding what they are.

The more honestly someone lives their own nature, the stronger the magic runs. The more they mask, shrink, apologise or forget, the weaker it becomes.

Self-acceptance is the city’s renewable energy. Forgetting is the drought.

SAMS catalogues and contains. True Blü dulls. Beneath the city, something ancient grows stronger whenever a person, a culture or a community forgets itself.

San Mágos is beautiful. And the beauty is watched.

The villain is sameness.

Ancient creatures. Impossible contemporary lives.

A family the city never planned for.

They arrive carrying different histories, different talents and different ideas about what a monster is allowed to become.

None of them is only one thing. Together, they become harder to classify, harder to isolate and impossible to flatten.

Venus Akino

Vampire. Hacker. Reluctant heart of the story. Venus treats every rule as architecture waiting to be examined. She can enter almost any system. Grief is the one she cannot code around.

Sunshine Arachna

Vampire and Jorōgumo hybrid. Scientist. Four-armed force of nature. Sunshine combines scientific precision, old-silk elegance and unapologetic mischief.

Eva Fangoria

Medusa. Fashion designer. Hidden cultural force. Eva runs the global fashion house GAZE. Her eight snakes, the Style Council, create living artwork and finish her sentences.

Bolt Vrathos

Cyclops giant. Student. Meditation practitioner. Bolt is strong enough to break a room and gentle every day on purpose. Peace is a practice, not a personality trait.

Lola Ricci

Frankenstein. Chef. Author of herself. Made from ethically donated parts, Lola refuses to be treated as a collection of other people’s histories. In her kitchen, the seams become the recipe.

Lucky Glitterbutt

Unicorn. Filmmaker. Keeper of living culture. Lucky’s flamboyance is joyful, deliberate and heavier work than it looks. He keeps songs and stories alive.

Ash: Joy, Prince and X

Three-headed Balaur dragon. Café owner. Three minds, one life. Prince brings music, X brings possibility and Joy reads the emotional weather.

Professor Apollonia Benu

Phoenix. Professor. Reinvention artist. Apollonia knows that becoming again never means becoming the same, and that every return has a cost.

Henry Noblethorn

Human. Heir. Quiet dissenter. Henry is drawn towards the monster community and begins questioning the inheritance designed for him. His goodness is real. The question is when it will become action.

Each of them carries something the others need. What each will choose to give is part of the mystery that draws them together.

A funeral in the rain

One unfinished life leaves an impossible question behind.

Orion Akino died believing vampires could walk in daylight. At his funeral, his younger sister Venus manages four words: “He was my world.”

What he leaves behind is more than grief. There is unfinished work, a warning and a formula that could change what their kind is allowed to be.

Its missing pieces cannot be taken. Each must be freely given.

Following them pulls Venus out of isolation and into the hidden life of San Mágos. Every answer reveals another person. Every act of trust gathers the family. Every moment of visibility gives the city permission to remember. It also gives its rulers a reason to tighten their grip.

The formula may change what vampires can be. The family it creates may change what San Mágos can remember.

Which limits are biological? Which are inherited beliefs? Which were engineered to keep monsters manageable?

Approved Momo and Yeti artwork of Ash serving coffee inside the crowded MTHRNTR café

The warmest room in the city

Every resistance needs somewhere to meet.

MTHRNTR, pronounced Mother Nature, is a retro-futuristic café, neutral ground, operations room and the safest corner of a dangerous city.

Its light always feels warmer than the hour. Its walls carry art, music and the photographs of people who found their way inside. An almond croissant can become an act of care.

The café pulses with a life it should not have.

ON AIR

The recording light blinks on

They tell you everything and nothing.

From a booth inside MTHRNTR, Madame Momo, Yeti and Momo Jr. host Monsters on the Mic.

They open with a song, a question or a fragment from somewhere inside the world. They return after the drama to decode what the audience has just lived through. At first they observe the story. In time, the story reaches into the booth.

We make them curious, not informed.

The resistance has a soundtrack

Some things can only be remembered in song.

Music is part of the magic system of Momo & Yeti. Original demo music has been created to give memory, character and key turning points greater emotive weight.

It also belongs to the machine, where culture is sampled, sterilised and sold back as something safe.

Demo cycle I

Nothing True, Nothing False

Overtures, mirrors, funerals and the first door inside the door.

Demo cycle II

Electric Peach Zen Social

Songs of voice, visibility, reinvention and refusing the edit.

Demo cycle III

I Am.

Five songs about judgement, becoming and the selves that return.

Demo single

See You Through My Eyes

A first listen to the emotional language being developed for the screen adaptation.

Listen on Spotify

The music is presented as development demo material, created to give key moments greater emotive weight and demonstrate how song functions inside the world.

The world is already built

Six volumes. Six seasons. One ending already known.

Momo & Yeti is a young-adult animated series combining fantasy, mystery, music, comedy and emotional adventure.

The complete source story spans six written volumes. The screen package includes the series bible, a locked ending, a catalogue of demo music created to give key moments greater emotive weight, a built-in narrator device and an expanding visual world.

The series opens on a funeral and closes on a world that chose to remember itself.

The next stage is to prove that the world moves and sings: a pilot script, a look-and-feel package and a rendered signature sequence developed with the right animation producer or studio partner.

City physics

Identity is not decoration. It changes what a character can do.

Found family

Belonging is built through friction, humour and showing up again.

Music inside drama

Every song earns its place by changing the emotional stakes.

Created by Charbel A. Zeaiter

You Be You.

Charbel is the creator, author and creative director of Momo & Yeti: six volumes, the series world, the song lyrics and the brand system, developed as one connected universe.

He has been tinkering with things since 1988, when he opened his first deli, and has spent the decades since across design, technology, education, product and food, building ventures and shaping brands on four continents.

Momo & Yeti grew from a lifetime of questions about identity, inheritance, belonging and the strange forms that love takes when people stop trying to become acceptable.

Industry and creative enquiries

Come into the booth.

Momo & Yeti is seeking the right animation producer, studio and creative partners to help bring San Mágos to the screen.

Confidential pitch materials are available for appropriate industry conversations.